Screenwriting 101: Your First 10 Pages
Taught by Timothy Cooper
Timothy Michael Cooper is a filmmaker, playwright, and comedy writer based in Brooklyn, New York. He wrote and directed the short comedy Lemon, starring Jennifer Westfeldt and Noah Bean, which premiered at the 2017 Tribeca Film Festival. The film has since played at festivals around the world, been licensed for screening on United Airlines, and become one of the most-viewed festival shorts on Amazon Prime. Timothy was named a 2018 IFP Screen Forward Lab Fellow for his sitcom based on the short.
He was nominated for the first-ever Writers Guild Award for Digital Media for writing and directing the digital sitcom Concierge: The Series (ConciergeTheSeries.com), starring Kate McKinnon. He also wrote the feature drama Away From Here, starring Nick Stahl, Alicia Witt, and Ray Wise, now available on iTunes and Amazon Prime. And he wrote and directed the digital sitcom pilot We Are Criminal Masterminds, a top-five nationwide finalist in the Samsung Second Screen Storytellers Competition at the New York Television Festival.
At Upright Citizens Brigade Theatre in NYC, he created and directed the improvised shows Sunny-Side Up and Farebeater: Improv in a Cab, both starring cast members from Silicon Valley, Conan, and more.
Through his company, Blueprint Screenwriting Group, he's advised hundreds of writers and companies worldwide on their scripts, films, pilots, and commercials. He's led workshops at Yale University, Teachers College of Columbia University, and the Writers Guild of America East, among many others. And he's been an adjunct faculty member at NYU Tisch School of the Arts' Department of Dramatic Writing, teaching an MFA seminar on writing and directing an original comedy pilot.
Timothy has been a writer for the Writers Guild Awards for the past five years, writing monologue jokes, desk pieces, and more for comedians like Colin Quinn, Larry Wilmore, Michael Ian Black, Lewis Black, and Amber Ruffin.
Timothy is a proud member of the Writers Guild of America East, the Brooklyn Filmmakers Collective Writers' Workshop, the Hollywood Radio and Television Society, and the WGAE Softball Team.
Do you wonder why so many movies are so bad—and think you could do better? Have you been itching to try your hand at that cool film premise you've been bouncing around? And why are those Twilight movies so popular, anyway?
I can't answer that last question, but I will introduce you to the art and business of screenwriting, teach you the basics of screenplay structure, and help you write the opening 10 pages of your first feature screenplay!
Week 1: Read excerpts from some of the greatest screenplays, then discuss what good screenwriting looks like. Cover the basics: What's a logline? How do you write a strong hook? What's the difference between plot and theme? We'll learn about three-act structure, genre, outlining, synopses/treatments, voice, active protagonists, the hero's journey, and intriguing characterization. (That's not just fancy terminology; trust me, it will all make sense after this class!) Then we'll go over your original movie ideas and transform them into sales-worthy loglines.
Homework: Refine one logline and write a brief synopsis/begin your outline.
Week 2: As you prepare to start your screenplay proper, we'll cover formatting basics, dialogue, subtext, scene structure, and conflict. We'll discuss your synopses and work on raising the stakes/expanding the world.
Homework: Write your first 10 pages using the free screenwriting program Celtx.
Week 3: We'll read your 10 pages aloud in class (optional). I'll give constructive feedback, set goals for rewrites, discuss getting notes and whom to get them from, give you recommended reading, and offer tips from the trenches.
Homework: Go out for drinks after class.
Prerequisite: Please come to the first class with ideas for three (3) (trois) original screenplays. Each idea can be a few words, a sentence, or a paragraph; the point is that they're all premises you think could make an entertaining movie.